minor blues chord progression piano

Welcome to this course on the minor blues progression. Leave us your email below and we will send you a full sample lesson and a PDF download. Or you can explore other options by adding in some major chords as well. Minor key blues uses exactly the same 1 4 5 root relationship from earlier, but with minor chords instead of major/dominant 7th. Playing the blues often comes down to a straight forward chord progression, which anyone can learn and play on the piano within minutes. There are a few other key differences which we will highlight in lesson 1 of the course. We then take the application of scales a step further by introducing modal scales. The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. You can, for example, combine the C Blues Scale with C7, F7 and G7 chords. They are as follows: i – VI – VII (Am – F – G) i – iv – VII (Am – Dm – G) Step-by-step lessons to master jazz theory, Learn the blues, jazz blues, funk, & gospel, Syllabuses to guide your learning journey, learn to play your favourite tunes & songs. This field is for validation purposes and should be left unchanged. A nice combination are the chords Am7, Dm7 and E7 together with the Am Pentatonic Blues Scale. When played over 12 bars, this progression becomes a “12-bar blues.” Note: A bar of music is a way of notating a set amount of time, or a certain number of beats, in the music. Minor iv chord gives this progression an edge of tension thanks to its addition towards the end of the progression. There is a lesson dedicated to left hand patterns and basslines. We discuss and explore combining these scales to access more interesting sounds on the piano. If these areas are new to you, then check out these courses: Matt then introduced the minor pentatonic scale and the blues scale. These 2 scales are very similar in their construction and can both be used for improvisation over minor chords. Enhancing The Minor Blues Form We will then look at enhancing the minor blues form with inversions, substitutions and rehamonisations. It’s called a Bird Blues. A nice combination are the chords Am7, Dm7 and E7 together with the Am Pentatonic Blues Scale. We start by playing through with simple triad voicings, and then we extend the chords to include the 7th. This one uses the minor vi and the minor iii. Modal scales are more exotic sounding than the pentatonic and blues scales. We can also introduce passing chords to add harmonic interest to the 12 bar minor blues progression. The turnaround at the end now has a VI chord added in bar 11. We can also introduce passing chords to add harmonic interest to the 12 bar minor blues progression. Minor Key Blues. Simply change the chord type of each chord to minor! Let’s talk about scales, if you wanna make some soul instrumentals ! If we are in the key of C, the blues … This progression was born from the blues and is now featured in countless songs from many genres. The harmony of Blues music is not usually sophisticated. Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. Let’s now take a look at common chord progressions in the key of A minor natural. The blues chord progression lasts 12 bars (thus the phrase “12-bar blues”) that move in a familiar pattern using those three chords. Chord i is a minor chord, chord ii° is a diminished chord, III is major, iv is minor, v is minor, VI is major and VII is a major chord. Piano Chords In The Key Of A Minor. If you also, mash up the chords, I can guarantee you that the progression you come up with will perfectly make sense ! See jam tracks below. We will then look at enhancing the minor blues form with inversions, substitutions and rehamonisations. You should be comfortable with the concepts of chord extensions, altered harmony, and rootless voicings. This makes 12 bars in total – one for each chord. You can experiment with improvising on … By my experience, The best scale was the blues scale in case of making a lead ! In this example, we will add a turnaround progression in the second bar. This chord progression is incredibly simple because it uses just three chords – I, IV, and V – but it has infinite possibilities for melodic improvisation. Essentially, bars 11 and 12 are a I-VI-ii-V chord progression. A turnaround is a series of … The chords used are basically major triads and dominant seventh chords and although minor, extended, and altered chords are used by modern players, the chords associated with Blues piano are major triads and dominant seventh chords. Major Blues Scales . We start by introducing the minor blues form and exploring the similarities and differences to the standard 12 bar blues. Chord #1 — “The Major Triad” See jam tracks below. Why is a blues progression doing here in the happy chord progression session? The following chord chart shows all the triads in A minor as well as four note extended chords. (For the sake of brevity, I’ll only look at playing blues in the key of C). This adds some nice voice leading into the ii chord. You should be comfortable with the concepts of chord extensions, altered harmony, and rootless voicings. I’ll start by showing the progression in the key of A minor: In the key of A minor, the A minor 7 chord (Am7) is the i chord. Let’s take a look at common piano chord progressions in minor keys. Further reading: 12-bar blues. (For the sake of brevity, I’ll only look at playing blues in the key of C). UK & Europe: +44 808 196 2012 The minor blues form is similar to the major blues form but also has some very important differences. For example, an A minor blues progression would typically be: Am7, Dm7, Em7 (1,4,5). We start by recapping on the basic theory and then jump straight in with some improvisation drills and exercises to get you familiar and comfortable with these useful scales. The key of the the chord progression will determine exactly which chords will be used. Or, in the same way, the G Blues Scale with the chords G7, C7 and D7. The D minor 7 chord (Dm7) is the iv chord, Em7 is v, and E7 is V. In the key of A minor this would give us the chords, A minor, B diminished, C major, D minor, E minor, F major and G major. At first glance, it appears that the minor blues are the same as the standard, except with minor chords instead of dominant 7 chords. You can stay on those two chords, alternating back and forth. Further reading: 12-bar blues. In the 12-bar blues, each bar would have four beats or counts, and each chord would last one bar. In bar 8, the iii chord is added with the VI. US & Canada: +1 888 616 5371, © 2020 Copyright PianoGroove. Bird Blues. There is one more kind of jazz blues you should know. All Rights Reserved. It’s not just simply a matter of changing all the dominant chords to minor chords. We use the iRealPro backing track to practice our in-tempo improvisation over the form. Essentially, the blues is a specific progression that uses the C7, F7, and G7 chords. Some of the most famous blues, boogie and rock ‘n’ roll songs use this simple chord technique – artists like Jerry Lee Lewis, Little Richard, Ray Charles and Fats Domino would use these chords in a lot of their legendary songs. We analyse the different types of bassline patterns that you can use, starting by outlining the primary chord tones, and then moving onto step-wise basslines which outline the tones of the scale. You can improvise blues in minor keys as well. Or, in the same way, the G Blues Scale with the chords G7, C7 and D7. The V chord will be a dominant 7th chord, which is the same type of chord used for all the chords in the major blues progression. Blues Piano Chords. You can improvise blues in minor keys as well. Instead of “happy” or “sad,” this progression is a blank musical slate that’s easy to create with. It sounds really moody, ominous and sad. In the final lesson in this course, we apply everything we have learnt to the famous tune "Mr PC" written by John Coltrane.

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